Soon Miles, still providing airport security after all these years, catches them lurking inside the perimeter fences. “First hundred,” she tells him, a period of time that haunts all pre-pans.
When Tyler asks her what she dreamed about under the spell of the Red Bandana’s poison dart for three days, Kirsten’s guarded but truthful. Talking to the dead - or the missing, or the invented - is emerging as a powerful motif.īack in the woods, Kirsten and Tyler continue to feel out the peculiar rapport between them, still oblivious to their connection through Arthur. There’s comfort to be found even in the fiction of company, same as Miranda felt with Dr. Maybe the ritual keeps Elizabeth in perennial mourning, or maybe it keeps her son alive enough that she can bear living. She talks to him like Clark talked to Arthur over the radio, like Kirsten talked to Frank from her poison fugue, like Jeevan talked to Siya, like Tyler wanted the kids to talk to their dead sisters and brothers back when Tyler was still a kid himself.
EPISODE 7 STATION 11 SERIES
In this hour, we start to sense a series in search of its ending - a process that begins by getting everyone into position under the same roof.Įlizabeth is sitting by the husk of Gitchegumee Air Flight 452 and communing with the young son she believes she lost to self-immolation. Until now, our characters have mainly bounced off each other, ricocheting into their own storylines and leaving one another behind. This is why “Who’s There?” stands out from the preceding episodes. Station Eleven is about goodbyes in all their varied forms: protracted, painful, overdue, bittersweet, unexpected.
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